So Tasty?!: Queer and Trans Asian Canadian Performance

March 1, 2024 | 6:00PM - 8:00PM
 | 
In-person
Asian Institute, Centre for the Study of Korea, Dr. David Chu Program in Asia-Pacific Studies

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This event was held at William Doo Auditorium, New College, 45 Willcocks St, Toronto, ON M5S 2H3
ABOUT THE EVENT
 
How are Asian, particularly queer and/or trans Asian, bodies consumed in Canada? Featuring three queer and trans Asian Canadian artists from Vancouver and Toronto, this event included a live performances and a Q&A panel. Each of their works are an embodied reflection of queer and trans experiences in the Asian diaspora, particularly by using food and associated sensations and metaphors. Janice Jo Lee is a folk artist who opened up the event with a performance and land acknowledgement which was followed by a showcase of new works by three drag artists. In YOU AND I ≠ WE, an experimental performance co-created by Romi Kim and Kendell Yan, their drag personas SKIM and Maiden China explore the weight of representation, the complexities and intersections of gender, culture, sexuality, and what it means to be in their Asian (Korean and Chinese) bodies with queer and trans identities in public and private spheres. The performance shared insights into intimate experiences through nonlinear storytelling and gestures of refusal in being consumed by the audience’s gaze. In a Drag Horror Cooking Show, “Sarap” (tasty), drag artist Ms. Nookie Galore combines Filipino dishes and ingredients with Philippine history and folklore to create an immersive experience for the audience.
 
These four artists performed their works while also creating a space of collective reflection and dialogue on drag, performance, and the body for queer and trans Asian Canadians.
 
ABOUT THE ARTISTS
 
김새로미 / Romi Kim, or SKIM in drag, is an interdisciplinary artist currently living on the unceded xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and Sel̓íl̓witulh Nations. Kim is a nonbinary, trans-masc, second-generation Korean lesbian. They identify themselves in using these words as verbs rather than nouns or adjectives—constantly in action, and in flux. Their artistic practice is explored through an interdisciplinary approach and intersectional feminist queer theory. Kim has shown works in South Korea, the United Kingdom, Edmonton,  and Vancouver in Canada. SKIM is the only Drag King in the House of Rice and he is the producer of his own drag show called King Sized. They have been a part of producing and performing in various theatre shows such as The Transform Festival's Opening Bash, Cultch Theatre, The ReVolver Festival, and The Array.
 
甄念菻 / Kendell Yan (she/they), is a second-generation Chinese, trans-femme, non-binary artist living on the lands of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and səl̓ílwətaʔ (Tsleil-Waututh) nations. Her practice includes performance, visual art, sculpture, digital media, makeup, writing, and costuming, and is primarily centred around her drag identity, Maiden China. Through this lens she explores themes of vulnerability, queer ritual, the concept of the “hyphen”, and liminal experience, by incorporating elements of classical Chinese opera, glamour, punk, and intimate contact performance art. Performing since 2016 in so-called “Vancouver, BC”, Maiden holds the pageant titles of Mr/Ms Cobalt All Star, and the Dogwood Monarchist Society’s Entertainer of the Year 2018. They perform regularly as a member of the House of Rice, Vancouver’s only all-Asian drag family, and is also a part of the non-binary drag performance collective, The Darlings. Their work has been featured by many film and art festivals, including the PuSH International Performing Arts Festival and the Vancouver Queer Arts Festival.
 
Patrick Salvani, having been raised to fear everything, Ms. Nookie Galore has an un/comfortable relationship with stories that haunt us. She/They/He have been spotlighted in CBC Arts, the documentary “No Fats, No Femmes, No Asians,” and showcased at the Art Gallery of Ontario, Royal Ontario Museum, Gardiner Museum and Varley Art Gallery of Markham. She has been published in the book “Diasporic Intimacies: Queer Filipinos and Canadian Imaginiaries” and her work analyzed in the academic journal, “Asian Diasporic Visual Cultures and the Americas 4.” Nookie is the Co-Director of the Queer Asian Love Party, New Ho Queen, AKA she knows how to make a party feel like home. As the Creator of drag plays SARAP: A Drag Horror Cooking Show, The Abularya, and Scary Stories People of Colour Tell in the Dark, Ms. Galore’s DRAG reminds us that dreaming is part of our survival and that nightmares are dreams, too. Get more Nookie in the PBS Docuseries "Brave Spaces" out now!
 
Janice Jo Lee is a dynamic artist. She is a second generation Korean-Canadian settler based in Tkaronto (Toronto), Ontario. She is a folk-soul-jazz singer songwriter, composer-sound designer, spoken word poet, theatre maker, and arts and anti-oppression facilitator.
 
ABOUT THE ORGANIZERS
 
Camille Sung is an Arts & Science Postdoctoral Fellow for the Department of East Asian Studies, and a Research Associate for the Centre for the Study of Korea, Asian Institute. Sung received a Ph.D. in art history and theory with her dissertation on the object- and action-based art of Korea between 1960 and 1980. Currently, she works on expanding her doctoral project by including experimental film and focusing on the relationship between aesthetics and politics of the practice during the period. Her research interests also include modern and contemporary art of the world, curatorial of BIPOC, continental philosophy, and queer and feminist art practice/theory/activism.
 
Samuel Yoon is a PhD Candidate in Women & Gender Studies Insitute and Sexual Diversity Studies at the University of Toronto. Yoon's research interests include Asian American Critique, Queer Diaspora, and Queer Performance.
Sponsor: Women & Gender Studies Institute, University of Toronto
 
Co-Sponsors: Mark S. Bonham Centre for Sexual Diversity Studies; Centre for the Study of Korea, the Asian Institute; the Department of Art History; the Department of East Asian Studies; Jackman Humanities Centre; the David Chu Asia-Pacific Studies, Asian Insitute; and the WGSI Graduate Student Union
Asian Institute, Centre for the Study of Korea, Dr. David Chu Program in Asia-Pacific Studies